Pythagoreans celebrate sunrise - Fyodor Bronnikov (1827—1902). Click for a larger picture
As you know I have been musing on Pythagoras of Samos recently (Ὁ Πυθαγόρας ὁ Σάμιος). I wrote about him in my blog and in other blogs.
P was a great mathematician. Now it turns almost all bloggers MoR has been discussing with (also on P) have some math capabilities. MoR has instead very little. So he asked his friend Extropian for help.
Extropian is laconic and doesn’t like blogs. So he first sent this movie and just said: “This stuff is Pythagorean.”
He then added: “Here following is the rationale behind the movie.”
He also sent me this paper on Pythagoras & Eugene Wigner that requires a degree in physics to figure out what the hell it means.
Finally he linked to another movie and declared:
“You became a pianist but you’ll always be longing for the strings of a guitar, of a violin or of a lute. Pythagoras started a new world-view with the strings of a lyre. You may like this.”
I hope this will not be the music of the future (only because it sounds too robotic). But the 3d animation intuitively shows better than any book on acoustics the relation between the string lengths and the sounds: ie by pressing the strings the robotic fingers change their lengths which produces a change in pitch.
And my friend is right. From the age of 12 I was a decent guitarist then I turned into a pianist at 18, a big mistake, one out of many.
A Crazy Night of Revel
In the spring of 1995 – I’m only apparently digressing – my wife and I came back home from a party. Oh we had had such fun! She though went straight to bed being tired from a hard day at her office. I remained alone in the living room, feeling weird and restless.
There I saw my electronic keyboard, a Korg 01 WFD – now prehistoric – connected to a Mac and two Protei (Proteus 1 and 2.) Before laying my hands on the glowing keys I knew what I needed that night: fat strings sounds more than just piano sounds.
The result was a dozen improvisations that lead to nowhere and sound now so badly because of analogical worn out tapes and especially when compared to the pro stuff you’ve heard above. They though retain a personal value to me. They ex-press (in the literal meaning of ‘squeeze out’) one of the most authentic musical revelry I ever experienced in my life.
I mean, if Dionysus-Bacchus ever exists I’m pretty sure I met him that night [another mysterious Dionysian experience is described here. And, Pythagoras and the Dionysian experience are tightly connected, so no digression as I said.]
3-4 pieces out of 12 I still like a bit. I’m waiting for my digital DAT recorder to be repaired so I can have better sources of my musical ramblings.
Here are 2 from that night in .mp3 format.
Two Piano Improvisations