Conrad Phillips. Hi Man of Roma, I just came across your blog as I was learning about polyphonic music. I bookmarked your interest in Montaigne and like the Platonic dialogue connection (…) How does Montaigne and narcissism fit into your background? [here the original conversation, MoR]
Man of Roma. Well, narcissism was a sort of a jest in my bio info page, although there is some annoying narcissism in the Mediterranean people, living in the sun, something for example the Britons, from clouds and rough weather, reproach us, not without reason.
But the beauty of classical or Renaissance art cannot be quite understood without considering a certain narcissistic component, in my view. Works of art (like Palladio’s villas or palaces, for example, see the London exhibition) were mainly for great families who sought distinction, éclat. The elegance of a Julius Caesar (here is a post considering this aspect of him), or of most toreros for example, or of the French, who love to correct foreigners who speak their language, can be explained by some vanity as well. It may be a Roman and Greek thing, I don’t want to ennoble it, quite the contrary, but it is in us [see below Narcissus by the painter Caravaggio, 1571 – 1610].
Montaigne is a constant dialogue I have. He mythicizes the ancient world as much as I do, he talks of himself without any self-love, a sort of high level country philosopher, and a spontaneous philosopher.
I often prefer ideas that unfold, like his do, through scattered notes rather than finished books, more sedentary in my view and less thought provoking.