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Tapas, Cartizze and Ragù. What on Earth do we Mean by ‘Classic’? (1)

Late evening in a cozy bar of our rione where we wash down Spanish tapas with Cartizze Prosecco.

Our before-dinner aperitivo, once in a while.

ψ

Mario: “You recently wondered how come far eastern little girls, hence culturally ‘alien’ in some way, can perfectly play European ‘classical music’ (in the narrow sense.) You also added that such music (from 1750 to 1830 roughly) originated in that crossroads between Germania and Italia, once the ancient frontier or limes of the Roman Empire which separated the Roman from the non Roman.”

Flavia: “Your associations are bizarre.”

Giorgio: “Allow me to be bizarre at least in my blog amore.”

Extropian: “I remember you saying at the end of a post on music that Mozart who came from that area perfectly combined Italian taste with German knowledge.”

Giorgio: “Yes, a perfect fruit of that cross-way region, although Schubert shouldn’t be ignored either.”

[A classic lied by Schubert I owe to Sledpress]

Giorgio: “Incidentally Flavia, I’m struggling both with Mauro Giuliani (on my guitar) and with the Latin poet Horace. I do feel they have something in common.”

Flavia: “Despite the big difference in greatness and time? Ti stai rintronando il cervello?” :-)

What do We Mean

Mario: “Now the problem arises: what the hell do we mean by classic? Entire generations of students have been plagued by this aesthetic notion.”

Giorgio: “You know I don’t like clear definitions. That’s what dictionaries are for, not blogs (not mine in any case.)”

ψ

We leave the bar. Roma may not be Canada, but winters get damn cold here too sometimes.

 

Oil painting of Franz Schubert, after an 1825 ...

Franz Schubert. Image via Wikipedia

On Black Sabbath and Indian Classical Music

Dio - Black Sabbath. Photo by NYCArthur

I habitually post once a week. Last week I spent all my available time in a short trip and in replying to comments here or in posting comments on other blogs. All I can do now is reporting some of these conversations by splitting them in a sequence of posts, this being the first one.

It’s not a vile expedient. A dialogue or conversation to me is important, my method post being evidence of it.

The people involved in the conversation(s) are Ashish, an Indian young man from Maharastra; Poonam Sharma, an Indian young woman from New Delhi; the Commentator, a Canadian of Italian origin from Quebec; Paul Costopoulos, a Canadian of French and Greek descent, from Quebec as well.

Texts in square brackets are notes by MoR. For the original conversation see the previous post’s comment section.

Saving a Friend From Metal Rock?

Poonam Sharma. Yes, Ashish must indeed be saved from rock music… All songs [proposed in MoR's previous post] are new for me, so my unaccustomed ear will have a try at them.

MoR. So far the effect on him of my music preaching has been negligible.

A person like Ashish cannot be caged by Black Sabbath forever! Maybe the works by Bach proposed though are too complicated. Bach is severe but being mystical he might appeal to Indian minds like yours and Ashish’s.

Ashish. Thank you! [referring to my last post meant to redeem him] I also just begun on Indian Classical music with Pandit Hari Prasad Chaurasia’s Call of the Valley. Can’t wait to start on this … yes, Ashish must indeed be saved from rock music. I think it’s too late for that! You don’t know the beauty of listening to Heaven and Hell, then Stargazer and jumping to Ahir Bhairav just yet!!

MoR. It’s not that I don’t like rock, I’m still listening to it now and then. It’s just that a mind needs all types of nourishment. I’m sure you’ll find depths in Indian classical music unknown to Sabbath. Ahir bhairav? I checked, it seems to be a Hindustani classical raga. I wish I had some knowledge of Indian ragas. Why then don’t you flood me with links? Why don’t you become just a bit (or a lot) a Man of India – instead of repeating of yourself: ‘The British left, but left him’ …? :-)

The Power of Sabbath

(Sabbath. Heaven and Hell – Neon Knights. Live. From this post by Ashish)

Ashish. Alright, this needs some explaining.

You see, I am NOT a music person. All this passion for music started when we started the cyber cafe as background music when I worked. The problem was that the hindi (Indian) songs were too much intrusive and I couldn’t concentrate so I loaded up my playlist with English ones. Slowly I listened to the music, started liking it and when I bought a new MP3 player I started listening a week.

Currently, on my holiday’s I usually go out for long walks early in the morning for I dislike meeting people. So what to do during the day when for the most part of 12 hours there is no electricity? How to relieve myself from the world? Thats where rock saves me.  ;-)

It’s not like I “hate” Indian music. It just seems more vocal focused. Whoever has the best voice wins. Heck, I even dislike modern rock as you know and prefer the 70’s or 80’s act meself. It’s the music.. so much different, myriad filled with epics, dragons (Ronnie Dio happens to be my favourite vocalist) or drugs!

As for becoming Man of India well there are too many Men of India preaching this and that. I prefer not being tied to a region or place. The world is free I think to live wherever I want, like whatever I want, eat whatever I want. (This is a rant not for you but for everyone who advises in regionalism..)…

Paul. Ashish, try to get «Beatles go baroque», Naxos 8.990050F, original Beatles’s songs by John Lennon and Paul McCartney arranged by Peter Breiner in the styles of Handel, Vivaldi or J.S. Bach. A real treat. It was recorded in 1992, in Bratislava by the Slovak Philarmonic. The beat and the music is there with a special flavor.

Ashish. Paul, thanks for that! Thats seems like some Beatles I can stomach! (I have their greatest hits package but don’t listen to it that much.) Will try to find this! Thanks very much! :-)

The Commentator. (…) I’m starting to like Ashish. He pulls out the Sabbath. I like to listen to hard stuff every once in a while. Why, just today I was blasting The Ramones. But what a long walk from the beautiful masterpieces of Western classical music to rock.

Let’s see Western musical heritage: classical, ragtime, jazz, blues, country, bluegrass, rock, hard rock, motown, disco, punk, techno, grunge – interesting evolution. I know. An incomplete list and definitions. But you get the picture.

Ashish. LOL thank you Commentator. I’m just getting into the stuff actually. There is so much music and so little time!

Sarinda, Indian bow string instrument

MoR. Ashish, you say: “It’s not like I hate Indian music. It just seems more vocal focused.”

Voice, ok. But as far as I know there are lots of instruments as well, complex and exciting. Percussions are very rich, plus we have bow string instruments like Sarinda (see above) and Sarangi, stringed instruments like the Sitar (a great myth of my generation because of the Beatles and Ravi Shankar) and many others I don’t know the names of.

Probably Indian music is monodic, so melody plays a great role, and of course voice can be central, though not only I think. What I like very much is the way the Indians treat the melody (vocal or instrumental), fascinating for its sensual ornaments and especially quarter tones (!!), so exotic to Western ears!

Ashish. Nay, you’re talking Indian Classical music. I was talking about the regular – which is mostly film music and most all of which is vocal focused. But like I said above, the bug of classical music has bitten me now and I’m ready to dive in that ocean.

Bolly Songs and Classical Ragas

MoR. Great. I loved the music you presented in your post: the songs reminded me of my stay in India but the classical Ahir Bhairav type of music you present [which can be listened here] is much more profound, there is a total difference in depth. Depth is to be experienced especially at your age, since it’ll get deeper into your blood. [What I am not at all able to figure out is how, according to these Hindustani ragas, the music is slowly building up in more and more complex variations, I mean in which ways, according to which rules.]

Ashish. That is what I liked about it, depth. You could just lay back and watch as the music danced in front of your eye with varied textures.

Oriental Quarter tones

(We can finish with the Man of Roma talking about things he knows nothing about)

MoR. Oriental and Indian music has quarter tones, I can dare say. In the first notes of the song Hur Hura Asathe you have embedded in your post – I might be wrong – one experiences quarter tones.

On a keyboard, the distance in pitch between for example a C note and a D note (two white keys) is called a whole tone and this tone is cut into two halves (2 semitones) by classical Western music (C-C#; C#-D).

So between a C and a D we have only one possible note in between: C#.

In Oriental music instead a whole tone is cut into 4 different notes, 4 quarter tones.

It is one reason why the first notes of the said song (see the movie below) sound vague to a Western ear, which increases their fascination. I don’t think it is by chance by the way that the Italian word vago (= vague) means both vague and beautiful.

This whole inter-cultural thing is of course fascinating.

ψ

Related post (and conversation):

Examples of Monodic and Polyphonic Music

Sex and the Search for a Method

Marcus Aurelius

Marcus Aurelius, Emperor and philosopher

Italian version

I am preparing a post on method.

Why?

1) Because I am a dilettante philosopher who is not content with just blogging. I need a method in my blogging.
2) I had promised a method post, so it is very Roman-like to keep my promise :-)

Truth being the method governing my posts keeps bugging me since I started this blog, and, needing to process my ideas a bit I propose this posting sequence to readers:

I) a post as a preparation for the method post (ugh!). It’s the present post. I need it for clearing my mind up before the real thing.

II) A post on SEX, as a break. It might help not to lose ALL my readers because of my philosophical manias.

III) The real thing, i.e. the method post.

IV) A second post on SEX, to beg for additional pardon, thus ending this sequence in full regalia.

Ψ

What do you think? Will you pardon me? Will SEX help?

Rhetorical questions not expecting answers let us put some preparatory ideas together and that the trip begin!

Game of Ideas
with Hidden Links

1) We will touch upon questions from numerous points of view, as if for each topic there were like a dialogue of different opinions in the writer’s mind.

2) A thought in progress where who is writing is gradually clarifying his ideas. Such ideas might contradict one another because the writer is constantly reaching new (sometimes opposite) perspectives, which could baffle the reader but also help her/him understand the complexity of things.

3) A game of ideas, then, with anecdotes and facts only apparently deprived of connections. Such connections (mental links) will sometimes be explicit (said) or implicit (unsaid,) which should bring the reader to make her/his own connections, namely towards creative non-passive reading / thinking.

Ψ

Well, at least Magister was very successful in this game. But Magister was Magister.

Writing. Low res. Fair use

Writing vs Thinking

Writing, thinking, clarifying,
striving to sort out thoughts
in ways so “clear and ordinate”
and comprehensible.

This, many years ago, Magister counselled
for the good education of the mind.
Beloved Magister,
writer, philosopher, educator…

Ψ

Writing in fact is a stern discipline linked to the activity of thinking. Writing teaches us how to think in ways so clear and ordinate. It obliges us to. Reason and word (word = discourse, written or oral) are actually only one word in Greek: λόγος (logos.)

Awkward prose or clumsy oral / written reports often reflect muddled thoughts.

As for the MoR the problem is:

  • writing in a foreign language makes things harder
  • we have this fatal attraction for digressions and all their unrestrained associations, ie for chaos (something Magister definitely wouldn’t condone.)

We like both sides of the moon – the dark indistinct and the crystal-clear. We appreciate discipline, clear argumentation, polished sentences, and we also dig lush jungles of words. Examples of both attitudes in art are:

  • The perfect equilibrium of Western Classical Music: Mozart, Boccherini, Clementi, Haydn and young Beethoven. Or of Italian Opera: Verdi, Bellini, Donizetti etc. wrongly called romantic, since Italian Opera is classical in its nature (and even Puccini is.) Interesting how Italians never totally absorbed Romanticism, their classical heritage and almost inborn sense of taste (and grace) being too tenacious (read here.)
  • Insane Western Romantic music (later Beethoven, Wagner, Mahler, Scriabin etc.), with a tendency towards excess.

Thus said, will our so-called philosophy be muddled? Will readers think MoR is crazy? I really got no idea, I really got no idea at all.

ψ

Note. We just gave above an example of digression + bizarre association. The concepts of writing and thinking were linked with music, two totally different planes of the human experience, although the connection appears evident to me.

We like mental associations though we understand they may confuse readers. See an example in the post Relax & Creativity.

Weakness or Strength?

My friend The Jurist has told me yesterday:

“Why the heck are you worried about this roving of the mind? It’s just a blog, go ahead and be crazy.”

True, but the thing is I am a bit ambitious (only a bit, or I will fail). I am actually attempting a research. A research from a man-in-the-street-of-Rome point of view, though a research nonetheless. Thence this roving tendency could turn into a weakness (or into a strength?)

A Philosopher in Every Man

Magister used to say that every person is a natural-born philosopher, ie everyone, during the entire course of his/her life, keeps building a constantly evolving grid of interrelated concepts. This world vision or Weltanschaung (read here) enables us to com-prehend the surrounding world (from Latin comprehendere, cum + prehendere = put together, grasp, or insert into a grid).

Comprehension of the surrounding environment – it implies also better (inter)action within it, the two things going together.

ψ

Ok, if this is true of every man (that he is a natural born philosopher,) and, if I am a man, which I certainly am, I should somehow hope to be able to transmit my Roman feel in a sort of organized way. Is that true?

In principle yes, ALL though depending on the degree of discipline, education and availability of time I dispose of.

A Helping Hand

  1. What’s the difference – one might ask – between a philosopher on one hand and a man of the street on the other hand? No difference, except the level of training, skill, specialization that may differ. The philosopher is a pro. Which doesn’t mean the non-pros must shut up. I will not ;-)
  1. We should all learn to think (and write) more effectively because it can greatly help us to make our days and guide us in the fundamental choices of our life. The more efficiently we think, the happier we live, classical measure being vital here though: should we think too much and act too little, we can get neurotic, wimpish (the list is long.)

This blog will try to give a helping hand to those who think self-improvement is important and possible.

Mind. Fair use

Reason? Not All

Ideas are now taking shape a bit as regards my future method post. The next writing will though as promised be devoted to SEX, SEX, SEX NOTHING BUT SEX (though in the Roman way.)

In the meanwhile, some additional patience pls.

One can rule one’s chaotic mind with control, writing, striving for some order. But chaos is still there; non rational things, disorder etc. are still there. The guys at the Third Culture are doing some work on this, good idea to have a look at it.

What I do know is we can not live in disorder. We need force, organization, we need to discipline ourselves most of the time.

Though not all the time.

We also need excess, spring breaks, fun, Carnivals, Saturnalia – a Roman festival (see picture below) where rules were broken: masters became for ex. slaves and slaves masters (see two posts of ours on Saturnalia: 1 & 2).

The Romans were big gurus in the art of living. They ruled the world with humour on their faces and tongue and not with mystical seriousness. While facing the most dreadful tragedies with utmost courage, they preferred comedies.

Saturnalia. Authour unknown. Fair use

Reason and order are not all. They can lead to horrors if taken too seriously, a great lesson from the non ideological Romans, that some folks from colder climes do not seem to have quite understood. Taking things zu schwer can call disaster.

Let us then have fun then too! Carnivals are made for that! Look at Rio in Brasil, look at our Spanish cousins! – an economic success [2014 update: well, well, they, we, will rise up again: we are confident] although Madrid has movida every night.

Mask

God, how can I finish this never ending blabber?

Perhaps with Coelho‘s beautiful words, from his novel Zahir:

Let us have some respect
for our life on this planet …


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